Lucien Johnson‘s “Ancient Relics” is a captivating voyage into the realm of contemporary jazz, where innovation and spirituality converge. The saxophonist and composer, known for his distinctive approach, has crafted a beautiful sophomore effort that resonates with profound depth.

Johnson’s ensemble, featuring the ethereal harp of Natalia Lagi’itaua Mann, the deft piano and Wurlitzer work of Jonathan Crayford, Tom Callwood’s grounding double bass, Julien Dyne’s percussive mastery, and Cory Champion’s dynamic drumming, weaves a woven masterpiece of sonic brilliance.

The album’s overall sound is a seamless fusion of modern jazz sensibilities and ancient spiritual undertones, creating a transcendent experience. Johnson’s saxophones soar and swirl, guiding the listener through intricate melodic landscapes.

Standouts like the titular “Ancient Relics” and the haunting “Embers” showcase Johnson’s virtuosic command of his instrument, as well as the ensemble’s remarkable chemistry. The former unfolds like a cosmic odyssey, while the latter smoulders with introspective intensity. And trust me, it’s also got groove in spades. Just give ‘Space Junk’ a listen—it’s another highlight.

Expertly recorded and mixed by Lee Prebble and masterfully mastered by Downbeat Mastering, “Ancient Relics” is a triumph of contemporary jazz artistry. With Jovan Milovich’s striking cover design, this album is a must-listen for any true jazz lover seeking a transcendent sonic experience.